Ounsi El Hage

Ounsi el-Hage 1937–2014

Ounsi el-Hage

"Ounsi El Hage is the purest among us"
Adonis to Yusuf al-Khal in 1962

Ounsi el-Hage is best known around the world for being the co-founder, in 1957, with fellow poets Yusuf al-Khal and Adonis, of the famous Arabic poetry magazine Shi’r. And he was himself a major contemporary poet, pioneering the prose poem, and publishing the first compilation of prose poems in Arabic in his first poetry collection, Lan (Won't).

Based in Beirut, where he had been editor-in-chief of An-Nahar newspaper from the early 1990s until 2003, he had been suffering from a serious illness for a couple of months.

He will be also remembered as much for his many translations into Arabic of surrealist literature, notably André Breton and Antonin Arnaud, and his translations of plays by Shakespeare, Camus and Ionesco, as for his own collections of poetry and essays.

Banipal was pleased to publish an epic poem by him, translated by Brandel France and Adnan Haydar, in Banipals 5 and 6 in 1999. The Messenger with hair long to the springs is, as the poem itself says "the story of the other side of Creation". It is a tale of love and redemption in which the genesis of the world is reflected through the eyes of the woman Messenger.

Writing a profile of Ounsi El Hage in Banipal 5 to accompany the poem, Abdul Kader El Janabi explains how Ounsi El Hage's own page "Words, Words, Words" in An-Nahar's weekly supplement was in fact "a cry of revolt against all obstacles, whether social or literary, to imagination".

The Messenger with hair long to the springs begins:

Help me
Let there be in me all poets
Because the charge is greater than my two hands

This is the story of the other side of Creation
I discovered it, my eyes obscured.
The past, my beloved,
leads from me awaiting me
Leads from my return to her
This is the story of the other side of Creation
Listen
Do not shut the doors
The breakers bear the message to the wind
The wind to the trees
The trees to notebooks
You, old men with homes, and uyou, youngboys of the streets
Sit this very night in the presence of the lover.

 


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