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Cairo Modern
by Naguib Mahfouz
Translated by William M Hutchins
The American University in Cairo Press,
2009
SBN 978 977 416 156 8
The Rise and Fall of an Anti-hero
Although Cairo Modern was first published
in 1945 (as al-Qahira al-jadida), and is set in the early 1930s, it is in some
ways remarkably undated. There is much in it that chimes with present-day Egypt
as, with skill and wit, Mahfouz takes us inside the power system with its huge
network of patronage and corruption.
This morality tale narrates the rise and
fall of anti-hero Mahgub Abd al-Da'im, a student at King Fuad University who
comes from a poor family in the town of al-Qanatir, where his formative years
were spent on the streets. Mahgub and his three closest friends are just four
months away from their final exams. The friends represent different trends.
Ma'mun Radwan is an Islamic fundamentalist, an industrious, self-disciplined
young man with a passionate love of books. Ali Taha has abandoned his religious
faith and embraced materialist philosophy. Searching for an ethical system he
found his "saviour" in the philosopher Auguste Comte. Ahmad Badir, who is
already working as a reporter, thinks that "a journalist should listen and not
speak, especially nowadays" and seems to be somewhat of a Capitalist.
Mahgub dismisses his friends' beliefs and
discussions and calls "for liberation from everything: from values, ideals,
belief systems and principles, from social culture as a whole". He is full of
resentment and sarcasm and envies the handsome, athletic Ali Taha for having as
his girlfriend the beautiful Ihsan, while Mahgub has to make do with street sex
bought for a few piastres from a girl who scavenges for cigarette ends.
Ihsan is also from a poor family. Her father
has squandered the life savings of her mother, a former street singer, on drugs
and gambling and scrapes a living from his tiny cigarette shop. In her parents' eyes her main asset, her
"astounding beauty", must be translated into wealth. She has already angered her father by
rejecting one wealthy suitor, and he sees Ali as a poor prospect sent by God
"to starve us to death!".
Soon, Mahgub descends into even more
financial hardship after his father, who has been sending him three pounds a
month, becomes bedridden and has to give up his job as a clerk. He will now
only be able to pay Mahgub just one pound a month. Mahgub decides to approach a
few people he knows to see if they can help him, but has no luck. He then turns
for help to Salim al-Ikhshidi, a vain, supercilious young man from his home
town who is climbing the ladder of government service and is office manager of
the well-connected Qasim Bey Fahmi. Al-Ikhshidi gets Mahgub work on a magazine
and introduces him to a world in which every person of influence has their
price.
After a few failed attempts at connecting
Mahgub with various influential people, Mahgub is summoned to see al-Ikhshidi
who tells him an extremely beneficial opportunity has presented itself: If
Mahgub will marry that day, sight unseen, a certain girl whose virginity has
been taken by Qasim Bey, he will be rewarded with a position as the Bey's
secretary. Qasim intends to keep the girl as his mistress - the marriage will
be a cover. He will install the married couple in a luxurious flat, all
expenses paid, and will regularly visit the wife while the husband makes
himself scarce. Mahgub agrees to the hasty marriage - only to find at the
marriage ceremony that his bride is Ihsan.
Mahgub's attitude towards Ihsan is both
realistic and hopeful. In characteristically blunt fashion he thinks of their
union as that between a pimp and a whore. He wants "a mutuality of desire, a
longing compatible with his, and a lust that mirrored his own". But he also
tells her that marriage could be a prelude to love. The couple attain some
tenderness and sexual enjoyment, but neither finds the love they yearn for in
the other, and despite the pleasure and luxury of their lives they are
unsatisfied. Anxiety creeps into Mahgub's mind, as the Bey's frequent visits to
Ihsan forces him to spend his time trawling bars. But however much he might
joke to himself about his status as a cuckold, he finds it difficult to free
himself from feelings of jealousy and the concept of honour.
After Qasim Bey becomes a minister in a
change of government, Mahgub is appointed as his office manager. Al-Ikhshidi
covets Mahgub's new post and asks him to swap jobs with him, but Mahgub
refuses. Al-Ikhshidi seeks revenge. Mahgub has left himself all too vulnerable
to disgrace. Not only has he embarked on a shameful marriage but he has not
told his parents he is married and has continued to claim to them that he is
too poor to send them money.
In the final denouement, Mahgub's father,
tipped off by al-Ikhshidi, arrives at Mahgub's flat shortly before Qasim Bey
also arrives on a regular visit to Ihsan.
His father is furious to find Mahgub, who claimed to be mired in misery
and poverty, installed in a luxury flat and saddened to find he has married
without telling him. There is mayhem when the Bey's enraged wife also turns
up. All is undone for Mahgub.
In Cairo Modern Mahfouz writes
uninhibitedly about the sexual and emotional lives of his characters, probing
their psychological complexities and writes particularly sympathetically of
women and describes with relish their physical charms and personalities. It is
an elegantly-structured entertaining work that reveals Mahfouz's gifts as a
master storyteller and William M Hutchins' translation has a freshness and
vitality.
From Banipal 35 - Writing in Dutch
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